![]() ![]() “Then Came The Last Days Of May” – Blue Öyster CultĪmerican hard rockers Blue Oyster Cult are one of the most unique acts in the genre, often blending their heavy rock attack with pop hooks and cerebral, academic-like lyrics. In comparison to its 1987 heavy metal-infused counterpart, this version is a more soulful outing and arguably more of a match to the heartbreak-filled lyrics.Ĥ. A good representation of that era is certainly the original version of “Crying In The Rain”.Ī gargantuan riff-based number originally appearing on Saints and Sinners (1982), “Crying In The Rain” features Coverdale’s melancholic yet powerful vocals and guitarist Bernie Marden’s stirring leads cutting through the song’s notably bluesy mid-section. While no one can deny the drawing power and sheer quality of the group’s glam phase, many still prefer their earlier, more underrated material, which is more grounded and blues-based. The English group, led by former Deep Purple vocalist David Coverdale, is responsible for some of the ’80s most enduring glam metal anthems such as “Love Ain’t No Stranger”, “Here I Go Again” and especially “Is This Love”. There are few hard rock acts as memorable as Whitesnake. “Crying In The Rain” – Whitesnake (Original Version) Also including apparently autobiographical lyrics which deal with alcohol addiction and depression, “Dying Inside” is metal at its bluesiest and most honest.ħ. Originally appearing on the quintessential album Born Too Late (1986), “Dying Inside” is a blues-based, riff-driven monster that progresses menacingly at a slow pace, made all the more haunting by guitarist Dave Chandler’s hazy, feedback-laden lead break and vocalist Scott Weinrich’s tortured performance. “Dying Inside”, in a way, epitomizes their style. Seemingly inspired by Black Sabbath’s early albums and the psychedelic acid blues of the likes of Jimi Hendrix and Blue Cheer, Vitus and their bluesy, bottom-end sound and raw, street-level lyricism ooze with the type of relatable working-class appeal that most metal acts lack. ![]() ![]() Despite being pretty much underrated outside doom/stoner listening circles, the group remains a force, churning out crushingly heavy, power chord-based thunder since releasing their self-titled debut album in 1984. Originally from L.A, Saint Vitus are known for being pioneering icons of the American doom metal scene. While Rush never really returned to producing blues-based rock, “Here Again” remains a strong, if relatively underappreciated, contribution to the genre. However, the record also features a number of underrated cuts such as the bluesy ballad-like number “Here Again”.Ĭemented in John Rutsey’s competent, steady drumming and the muscular coils of Geddy Lee’s bass, the song truly shines by means of Lee’s inspired vocals and guitarist Alex Lifeson’s penetrating, emotional lead work. While the trio is notorious for highly complex and often extended compositions featuring elements of jazz, metal and classical, their underrated self-titled debut album (1974) is contrastingly rooted in the more primal heavy blues sound of the likes of early Led Zeppelin and Cream.īeing the only album in the band’s catalog not to include iconic drummer Neil Peart, Rush is more known for featuring the group’s very first hit in the enormous blue-collar anthem “Working Man”. We invite you, fellow blues rock fans, to contribute your own suggestions in the comments below.Ĭanadian progressive act Rush is undoubtedly among the greatest rock bands of all time. With that being said, this list is by no means exhaustive. You’ll also find a few deep cuts from celebrated blues rock acts that may have slipped through the cracks of recognition as well as underrated masterpieces from artists that deserve more praise. Our compilation partially delves beyond the established blues rock artists and explores tracks from acts not commonly associated with the genre. Welcome to our list of 10 underrated blues rock songs. However, it’s time to shine a spotlight on the underappreciated compositions that deserve more recognition. These and many other classics have rightfully earned their place in the pantheon of blues rock music and are unlikely to ever fade from mankind. When it comes to blues rock, certain iconic tunes immediately spring to mind - Cream’s “Crossroads,” Stevie Ray Vaughan’s “Texas Flood,” or ZZ Top’s La Grange”, for example.
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